Friday 3 September 2010

Madeo

Madeo (Mother) tells the story of an amiable but misguided simpleton, Do-joon, who finds himself arrested for the murder of a schoolgirl after being seen in the wrong place at the wrong time early one morning. The police, having found circumstantial evidence of his involvement, close the investigation. Do-joon's quiet but determined mother sets about investigating the background of the murder victim in order to identify the real culprit. She teams up with Do-joon's best (and only) friend and together they beg, connive and torture information out of the girl's associates and other witnesses, along the way discovering the truth about her lifestyle, her death, and the reason for Do-joon's identification as the killer.

Mother takes you on a journey, but not an exhilarating one. To call it an emotional rollercoaster would imply a greater range of peaks and troughs, and a faster pace, than it has. The experience is closer to driving the length of an emotional A13: sweeping gently up and down, occasionally passing through more or less grim territory, but an oddly interesting and satisfying journey nonetheless - one which includes wince-inducing moments along with laughter, mystery and intrigue.

I was surprised to learn that Won Bin, who plays Do-joon, is a popular actor and model in Korea. It's hard to imagine Kate Moss or Danny Dyer portraying characters with a mental age in single figures (deliberately, at least). Kudos to him for taking on this role, and pulling it off so well.

It's filmed on a good-quality digital format (compared to, say, Salvage), but I still found the pixellation a little distracting. Although this minor issue will be resolved if you're watching the DVD or Blu-ray transfer (unless your telly's enormous), I'd still recommend that anyone wanting to see it do so at the cinema. Perhaps I'm guilty of assuming that everyone shares my fickle attention span, but I need to be forced (by virtue of having no distractions) to concentrate on a movie this subtle and languid. It's worth being forced, though, since the story is ultimately gripping, surprising and satisfying.

2 comments:

  1. Mate, that A13 analogy is inspired!

    Sounds very Korean. I used to hate Korean cinema then something just clicked and I love it now. There is something reserved about it though, often pasted over with shocking scenes, if you see what I mean.

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  2. I know we have a mutual fondness for the A13. I remember talking about it at Norwich the first time we met. I was bemoaning the lack of road mythology in this country and you mentioned Billy Bragg's track A13. Just looked it up - there's a Jah Wobble track called A13 too.

    I don't think I've seen any other Korean films. Must keep an eye out for them.

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